The Carl Begai website has posted a review of the new Kamelot album Haven. Below is an extract:
All that said, fact is nobody is going to be mindblown by Haven the first time through (if you say you were, you’re a bullshit artist). It’s a gradual build with lead-off tracks ‘Fallen Star’ and ‘Insomnia’ – which don’t have the blow-the-doors of speed of previous album openers ‘Center Of The Universe’ and ‘Forever’ – groove-pounding the listener into the new Kamelot comfort zone (with no done-to-death orchestral track to kick things off… thank you). Interesting as well that the band waits four tracks to unleash Haven’s first stormer, ‘Veil Of Elysium’ – which sounds like the less evil twin to Silverthorn’s ‘Sacrimony’ – one of only two (!!) to be had on the entire album. And this is the addictive nature of Haven; for all the threads you can weave back to previous album, Kamelot keep you guessing as to what you’re going to get, and how and when it’s going to be served up. Unexpected and bloody impressive at this stage of the game.
It’s worth noting that some of the strongest songs are lurking on the back half of the album. ‘Beautiful Apocalypse’ and ‘End Of Innocence’ are Karevik at his melodic best backed by some brilliant guitar work, while ‘Liar Liar (Wasteland Monarchy)’ and ‘Revolution’ are by far the heaviest, most intense songs of the whole package as the band pulls out all the stops including the return of their personal Mephisto, Arch Enemy vocalist Alissa White-Gluz on growls and clean vocals.
And at the risk of being forced to give up my Hell Yes I’m Metal card, ‘Under Grey Skies’ – featuring guests Charlotte Wessels (Delain) and Troy Donockley (Nightwish) – is by far the best ballad Kamelot has ever written.
To read the full review go here: